Book review: l'Infanterie de ligne 1796–1810 by André Joineau and Jean-Marie Mongin

I love uniform books; especially Napoleonic and particularly about the French army (doubt that I am alone in that amongst readers of this blog). When I saw this book promoted in an e-newsletter from Éditions Heimdal it took only a quick look at the description on their website before I decided to purchase it. It arrived last week and did not disappoint.

This book is largely a compilation of material from two issues of Soldat magazine (also published by Éditions Heimdal) into a lovely, hardcover, A4 format. True to the title, the book covers French line infantry from 1776 to 1810 with about a quarter of the 160 pages devoted to  pre-1789, around another quarter to uniforms of the revolution and consulate (including the Egyptian campaign, see later) and the remaining half to those of the early to mid-Imperial period. The book is a visual feast with a plethora of pages of full colour drawings of troops in assorted uniforms. I'll summarise these later, but firstly a bit of background that may be of interest.

Readers may recognise André Jouineau's name from the marvellous, soft-cover Napoleonic uniform books that were published by Histoire et Collections. Sadly, that publisher went into receivership in 2012#. Fortunately, the void that they left was filled by Éditions Heimdal. Based in Bayeaux, Éditions Heimdal. originally focussed on the middle ages and world war two, but since 2015 have expanded their range to "... cover history from the bronze age (1800 BCE) through to conflicts of the 21st century." Since that time they have been prolific in the publication of books about uniforms, campaigns and military history, ten of them of the Napoleonic era (a trilogy about the Imperial Guard, French artillery, Dictionary of the Grande Armée, Italians of the Empereur, Swiss in the service of France, Arcole & Rivoli, Egyptian campaign and now line infantry). I recommend them all. Most are in French only, but the trilogy of the Guard, published in 2017–18, has been translated into English. For this recent book, Jouineau combined with Jean-Marie Mongin, with whom he co-authored the magnificent trilogy about the Guard.
[#Pleasingly Histoire et Collections was brought out of receivership by Sophia publications (now renamed Sophia Histoire et Collections) and has been back in operation since 2016, specialising in "...current affairs and military history, vehicle collection and vintage fashion." Their focus are their magazines: Raids, Raids Aviation, Militaria Magazine WingMasters, SteelMasters, Charge Utile, Tracteurs Passion & Collection, Figurines, GBM et Styles Vintage, but they also publish books in both French and English, including their back catalogue.]

Jouineau's illustrations of uniforms, a full 120 pages of them, are the main feature of this book. These show various units, ranks and modes of dress of the line infantry. Images are presented from front side and rear, along with detail of equipment, flags and items of uniform.

Beginning with the late Bourbon era, the initial pages of illustrations show the units that served in America in 1780. This is followed by pages devoted to the regulations of 1786. The uniforms of every unit are illustrated along with accompanying pages showing the uniforms for privates, NCOs, musicians and officers and some of specific uniform items. We then move to the republic with illustrations of each of the initially white-uniformed units, during the 'transition' from the King's army—all shown in profile across nine pages, then to the blue-coated l'infanterie de la republique. This is followed by eleven pages devoted to the special uniforms adopted by the troops in Egypt 1798–1801; a fantastic inclusion for mine.

The uniforms and flags of all regiments according to the provisional regulations of 1791 are illustrated in profile.

Two of the eleven pages of illustrations of demi-brigades in Egypt 1798–1801.

A couple of pages of illustrations show the troops of the consulate before the second half is taken up with the early to mid Empire. Six pages illustrate regulation uniforms before this final section concludes with 50 pages devoted to each of the 3e, 4e, 6e, 7e, 8e, 9e, 12e, 14e, 16e, 17e, 18e, 19e, 21e, 22e, 24e, 26e, 27e, 30e, 33e, 42e, 45e, 46e, 57e régiment d'infanterie de ligne illustrating the variety of dress across time, rank and troop types.

Examples of the pages showing regiments in detail; here we have the 14e and 15e régiment d'infanterie de ligne in their white uniform.

Two of the pages devoted to the 18e régiment d'infanterie de ligne.

Illustrations of items of equipment and uniform add greatly to those of the troops.

Along with these beautiful illustrations, the book features 25 pages of text (in French) interspersed with reproductions of paintings of battles and illustrations of troops (some full-page), along with the bibliography, contents and publication details. The text packs in a lot of detail in support of the images including a brief history of the development of French infantry formations and organisation from the middle ages to the consulate and 1st empire. This is followed by details of the uniform and equipment of the infantry of the early to mid Imperial period, including key changes over that time.

An example of one of the reproductions of paintings included in the book; this of a grenadier in Spain with covered bearskin.


This is a fabulous publication that I plan to enjoy leafing through, reading and generally drooling over for years to come. My only complaint is that I would have liked more(!)—that greedy perception is the only thing preventing my giving it a score of a perfect ten! I look forward excitedly to the publication of tome 2.


Additional

I recently 'stumbled' across André Jouineau's website, Images de Soldats which has plates of uniforms and planes drawn by him that can be downloaded as thumbnails, or purchased for 2,50 € per plate. A book is cheaper, but this could be a good way to purchase specific examples.

Sample plate, available as a free download from Images de Soldats.

References



Jouineau, A and Mongin, J-M (2020) L'infanterie de ligne 1776-1810. Tome 1. Éditions Heimdal, St Martin-des-Entrées, Bayeux, France. 160 pp.

Rating

Fun with latex

I prefer home-made scenery. It goes back to the early days of wargaming with Dad when everything was (relatively) so much more expensive so we used the small amount that we had from train sets and improvised/made the rest. Besides, it was all part of the fun. Even now, when professionally made scenery is so much cheaper I prefer the home made variety as the bought stuff, while flash, lacks character for mine.

Some old terrain squares have formed the base scenery for the games thus far at my new (as it still feels to me) wargaming shed. I want to move to using the overlay 'sheet' method—actually I have purchased some lovely, plush green stretch material which will add to player comfort, ha,ha. I was thinking about how I'd like to represent roads and rivers. Then I suddenly remembered; liquid latex.

I have a fairly large quantity that was left over from making soil peels (monliths). These are constructed by painting the stuff on the face of a soil pit. The soil sticks to the latex which is then peeled off and mounted on a board. The resulting impression shows how the soil changes down the profile and is an excellent, visual tool. Anyway, I thought that I should be able to paint the stuff onto plastic, mold it a bit, even stick things to it when wet and then paint it afterwards.

I had a test run making some items for a First World War game. I made circles to represent an explosion, the resulting crater and, what was going to be smoke for gas, but I decided would be better as a rock outcrop (not for World War I). I was pleased that it all worked. The latex peeled off the plastic when dry, assorted bits that I had stuck to it held tight and I could paint it with my acrylic paints.

Test run making terrain elements for First World War games, which I'll be trying out later.

Buoyed by this I decided to go into a bit of production making sections for rivers and roads. I painted various shapes on to an old piece of vinyl. I added some pieces of lichen and bits of model trees to some of the sections that I wanted to represent swampy areas around a river.

Sections of liquid latex painted onto vinyl. These are destined to be rivers and ponds.

Some would-be river sections with lichen and tree bits added to represent swampy areas.

The sections once partially dry (above), fully dry (below left) and painted (below right).

Once they had dried it was a simple matter of applying paint (two coats) and they were good enough for me.

Painted sections of river and swampy-banked river.

I was really pleased with the final result, particularly once placed on a tabletop. They will not win any terrain prizes but are functional and flexible. Most of the sections that have I made are quite short, so I'll now make some more of the longer ones.

 

On the table-top. This is the layout for a small, brigade-scale game of "Twilight of the Sun King".

Laser-like focus

Painting is still largely restricted to evenings chez-nous. I am fortunate in having on-going work (I have been working chiefly from home since last year), plus some voluntary work that I do and there is always loads to do and/or to fix around our place. Not to mention getting myself into a play-by-email game of 'Diplomacy', which demands a bit of attention.

With painting I have a laser-like focus... that is if the broad ‘plastic mountain’ constitutes a focus! Of course, lack of focus is common to many (most?) wargamers, but I suspect that I have a very different approach from most when it comes to putting paint to figures.

I have literally hundreds of figures on the go at once. I switch my focus to progress some more than others during any particular painting 'session'. It means that it is quite a while before I bring figures to completion, but when I do there are many of them.

The figures that are at the front of the current painting queue: WWI French & German infantry (foreground), Napoleonics at three scales and Saxons, early Russians and Swedes of the Great Northern War.

 

Napoleonics at three scales: 2 mm at left, 1/72 at right and 1/32 at rear.

 1/72nd scale Napoleonics, most of which are almost completed. Ykreol, Hat, Airfix, Zvezda in foreground, Airfix and Italeri (as Vistula Legion) behind.

1/32nd scale Napoleonics, French line infantry and Russe Deutsch Legion (31st infantry regiment), Airfix, Armies in Plastic and Hat figures. These are for my 'telescoping scales concept'. Initially I'll use these for brigade-scale rules (Napoleon's Battles and Volley and Bayonet), but they could also suit for small-scale rules (Chef de Bataillon or Company Commander).

2 mm Napoleonics (French infantry, cavalry and artillery) almost completed and some river sections (all Irregular Miniatures). As with the 1/32 scale figures they are for my 'telescoping scales concept'. The blocks could be battalions, regiments, brigades or even divisions or corps. I think that I need to tone down the blue of the rives and lighten the bases for the figures!

2 mm Napoleonic French on the go. Keen-eyed readers will observe the 5e chevau-légers-lanciers at front right of photo.

Another departure from the norm, in recent years I have moved to painting figures after gluing them on their bases, including cavalrymen as ‘one piece castings’ (i.e. glued to horses). I find them easier to handle and any detail that is difficult to reach I will never see anyway! Many years ago I was introduced to the idea of using pill containers as palettes, so ‘decant’ paint into them to use (partly to protect the main paint in the container from deterioration). I put a small amount of the paint that I am using into an old pill case (different sizes for colours that require a lot or a little). I have the obsession about using up each colour that I decant, as far as possible, hence I go looking, for example, for figures with bits of red to paint, if I have some of that left over after having painted red coats, or such. Having a lot of figures on the go helps with this!

Currently Great Northern War figures (Mars Saxon infantry plus Strelets Russian dragoons and Zvezda Swedish artillery (the latter two as Saxons) and also some Strelets and Zvezda streletsi as early Russians) are getting first dibs of the paint. As I noted in a post back in 2014 Mars figures fit in the category of being ‘ugly’ in the raw plastic, but looking great painted and being lovely to paint as one finds more and more detail.

Currenty getting first dibs on the paint: Great Northern War Saxons, Swedes and some early Russians (Mars, Zvezda, Strelets figures).

Looking a bit more closely at the Saxon infantry. Mars figures that look a bit rough unpainted but look really good when painted, are most enjoyable to paint and have loads of detail.

I now only have flesh, silver, some white, some yellow facings, buff belts/some trousers and painting horses to go on these Great Northern War figures—as far as the base coat is concerned. Once that is finished, I’ll black-wash them plus the WWI French and Germans and Napoleonics that I will also have got to the end of stage 1. I'll then put on my basing mix (paint, PVA glue, sand/tea leaf/coffee grounds), next comes the final bits of touching up and highlighting before varnishing and a good coat of Plastidip. As with most things in life, the last 10% always takes a while.

I threw the Great Northern War figures into the painting mix a week ago because I took delivery of ’Twilight of the Sun King’ rules and want to do a small game with them (Battle of Fraustadt initially at brigade scale). These rules were brought to my attention by a review on the marvellous 'Un Marius Sinon Rien' blog. After reading a further review on wargamer.com website I decided to give them a go. I have nearly enough Swedes, but needed some Saxons to oppose them. I’ll compare the rules with the rules GåPå that I have tried once and liked and likely also the Polemos Great Northern War rules (by Nick Dorrell one of the authors of ’Twilight of the Sun King’). I intend to keep going with painting Great Northern figures so as to ‘finish’ Swedish, Saxon, Polish-Lithuanian, early Russian (and perhaps some later Russian and Danish) armies. As I paint units for these I’ll be including further Napoleonics (each scale), WWI and perhaps some 1/32 WW2.

WWI French and German infantry. I suddenly and unexpectedly got the urge to do WWI wargaming late last year.

Looking a bit more closely at the Germans. Fun to paint and I found them surprisingly fiddly with all their 'kit' in different shades of brown and grey. The brown blob on the centre-left base is an example of my basing mix.

Example of a pill container that I use as a 'palette' to decant a little paint (and sometimes to mix colours). Fortunately its a rare day when I take a pill, so I get the empties from other people.

Once the figures above have been completed, these 1805 French, Russians and Austrians will be first in line to get the paint. The Airfix British grenadiers of the American Revolutionary War are painted as grenadier companies of the 'Oudinot grenadiers'. Voltiguers of same above them (and a Russian gun). Russian infantry second from the bottom and Austrian grenzer in the bottom cake box.

I really enjoy painting and get ‘withdrawal symptoms’ when not able to do any (work, other commitments, too hot).

Paintertainment

A musing post and, if I am honest, another 'filler' while I progress my early Russians and Grenzer sufficiently to be able to do a post about them. Hopefully this is not too self-indulgent.

The subject of this post was in-part sparked by a long and enjoyable conversation with John from the Serpentine group, during which I asked him, "What is your entertainment when painting?"

Do you listen to music, watch TV, watch DVDs, listen to podcasts, listen to audiobooks, sit in the room with what is being watched by family or 'better-half' playing in the background, or perhaps sit in peace and quiet and focus on the job at hand?

Being joined by my good friends is part of the joy and relaxation of painting in my wargaming room/shed.

Sometimes proceedings are interrupted as the young one has decided that a bit of play-fighting is in order!

Me?

My most preferred is to 'watch' (i.e. predominantly listen to) history documentaries that I have saved on my computer. They need not be of the era of the figures that I am painting. In fact, I find that those from periods other than my 'special subject' (Napoleonics) are preferable as, since I know less about them, I am not as likely to be annoyed by the generalisations that are included in productions for the mass audience.

Second to that are podcasts: history ones or Roy and HG and/or music. If the latter, usually something nice and loud and raucous.

The podcast of the latest show of Roy and HG's "Just short of a length" was part of my paintertainment today.
Note the painting of my 'girlfriend' in the background. She's still gorgeous at 243 years!


So, what is your 'poison'. I'd be interested to know.

Now that I have completed my little side show of the 1/32 WWII that I wanted to finish, I'll be focussing on these Russian infantry (1805–07) and Austrian grenzer, with some Vistula legion (and their talisman) thrown in.

Reinforcements bring limited artwork

Some 'essential' reinforcements that I purchased recently featured limited box artwork that Hat are using for some of their re-stocked sets.

Set 8146 '1805 French infantry in greatcoats', one of Hat's sets featuring the limited edition artwork.

Not surprisingly, the use of this artwork has met with mixed responses. Some people consider that it belittled the figures, misleads potential purchasers, or fails to 'inspire' about the contents. Personally, while I would not like to see it used in all cases, I enjoy the creativity and humour and like it as a limited edition for restocks. I was particularly happy to get some examples as I like to keep the box artwork, cutting-up the boxes so as to stick them in a scrap book (or two!).

The original artwork on set 8146.

Box contents of set 8146, which is featured on both the original and re-stocks with the limited artwork.

For those who are not aware, polystyrene-plastic 1/72nd figures come in cardboard boxes, a feature of which is the artwork on the front. This is generally a representation of the arms and uniform(s) of the figures within or perhaps of the troops in action. It does not show the actual figures in the box, this is represented on the back by line drawings or photographs of the figures, usually to scale.

A 'new' set that was amongst my purchases is this Spanish infantry 'sampler'. It contains a sprue form each of the previously-released Spanish light, grenadier, line and command sets and also features limited edition artwork. This is a particularly nice touch as it is 50 years since the release of Abbey Road. Below: the back of the Spanish sampler box.

Another relevant point—which I only became aware of in fairly recent times— is that, while plastic moulded figures are less expensive than their metal cousins for the consumer, as they can be produced en-masse (and with plastic), the moulds are extremely expensive to produce and represent one of the greatest costs for the manufacturer. This means that the number of sets in any period or genre is limited and, generally, a single set is produced for each troop type.

Also, once a production run has been used up, i.e. purchased by collectors, wargamers or diorama makers, it will be unavailable until a run of restocks is produced by the manufacturer. This may take time to happen as it needs to fit with other sets of figures that the figure manufacturer wants to produce and, more importantly, must get into a factory's production line (between the other, numerous plastic items). A set of figures may therefore be unavailable for months or years. In some cases it may never appear again, if the mould that was used was produced using cheaper materials, meaning that it was destroyed or damaged in the production process.

Of course, these facts are all good, justifiable and perfectly 'rational' reasons for purchasing numerous copies of a set when it is available (ha,ha)!

The manufacturer Hat, who have produced over 300 sets of figures over 200 of which are of Napoleonics, have been particularly good at keeping their product on shelves. All this production, along with a change of ownership, caught up with them recently so several sets had become unavailable. They have therefore spent most of this year producing restocks, some with the limited edition artwork.

The runs of restocks is a pleasing development to me since there were some sets that I 'needed' that were out of stock. This has now been rectified. The use of the limited artwork means that I'll be purchasing some other restocks, that are not so 'essential' to me, purely to get a copy of the enjoyable, creative and limited artwork!

Images below are of the original and limited edition artwork for restocks of sets of figures for the Napoleonic Wars. The Dali-inspired image for the Spanish line infantry and old flat figure for the Prussian hussars are rippers!

They are going mad with books

Looking for a bargain? Naval & Military Press, that great on-line warehouse of books on military history, have discounted their entire 'catalogue' of titles related to the Napoleonic era.

Here are a few examples.

• My 'beloved' Anatomy of Glory for £8.99.
• Nafziger's 1813 three-volume series, all hard-back and 'heavy' tomes, recently republished by Helion & Company with 'a new set of images and newly-commissioned colour maps'; a mere £25 for the lot.
• Gill's magnificent trilogy of the 1809 campaign for £18.99.

That is but a sample of the 300 titles/sets that are available with plenty of individual titles starting at  £1.00.

Waterloo in 54 mm

A grand-scale wargame in all senses of the term!



I was so impressed with Phil's post about this marvellous game that I wanted to 'spread the word'.



Not a scale of wargaming often achieved. Well done to all involved. Superb!